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Selected Solo Exhibitions:
2003
- Monsters, Universal Concepts Unlimited, New York, New York
- The Toy Show, Bitforms Gallery, New York, New York
2001
- Project Room Gorney Bravin + Lee, New York, New York
- ten, Universal Concepts Unlimited, New York, New York
- 2000 Artificial Sculpture v.5, The Henry Block Art Space, Kansas City, Missouri
1999
- Artificial Sculpture, Forum For Contemporary Art, St. Louis, Missouri,
- NEA Grant Awarded (CD Rom catalogue)
1998
- The Ecstatic Body, Grand Arts, Kansas City, Missouri
- From Ear to Ear, Central Fine Arts, New York, New York
- Solo show, Galerie Simone Stern, New Orleans, Louisiana
1997
- Digital Psyche, Kemper Museum of Contemporary
- Art, Kansas City, Missouri. Curated by Dana Self
1995
- Homo Noeticus, Basilico Fine Arts, New York, New York
1993
- Solo show, Basilico Fine Arts, New York, New York
- Solo show, 303 Gallery, New York, New York
Selected Group Exhibitions
2002
- FORWARD/4WORDS, Curated by Guido Bartorelli and Alfredo Sigolo @
- Rovigo, Cen.Ser Provincia di Rovigo, Italy
- “Nown”: In the action of the animated person, place, thing, and quality,
- Woods Street Gallery, Pittsburgh.
- “In Media Res”, Exit Art, New York New York
- 2002 Media Art, Daejeon-New York, Special Effects , Daejeon Municipal Museum
- of Art, Dae Jeon, South Korea, curated by Lawrence Rinder.
- Fetish Human Fantastic, Boursein Gallery, Istanbull Turkey, curated by Michelle Thursz.
- 2003 BitStreams, Whitney Museum of American Art, New York, New York, curated by Lawrence Rinder.
- Best of Season, Aldrich Museum of Art, Ridgefield, Connecticut,
2000
- Photasm, Hunter College Gallery of Art, New York, New York, curated by
- Peter Dudek, reviewed in the New York Times
- Foreign Bodies, Untitled Space, New Haven, Connecticut
- No Web Sites Please, (exhibited in two places), the University of Connecticut at Storrs, and at The University of Connecticut in Hartford
- Curated by Saul Ostrow, reviewed in New York Arts
- Through the Looking Glass, Technology and Creativity at the Beginning of the
- New Millennium, Beachwood Center for the Arts, Beachwood, Ohio.: http://www.voyd.com/ttlg/
- Ancient Snake is exhibited in the Science Museum in London, England as part of its inaugural exhibition
1999
- Digital Hybrids, Mcdonough Museum of Art, Youngstown, Ohio
- Curated by Richard Krueger
- N01se, an exhibition of Science and Art at Kettles Yard in the
- Whipple Science Museum, Cambridge, England
1998
- Pop Surrealism, Aldrich Museum of Contemporary Art, Connecticut
- Curated by Richard Klein, Dominique Nahsas, Ingrid Schaffner
- (re)Mediation: The Digital in Contemporary American Printmaking,
- University of South Florida Contemporary Art Museum
- curated by Margaret A. Miller and Jade Dellinger
- The Spatial Qualities of the Digital Print: from Printmaking to Sculpture
- Calcografica Nacional, Madrid, Spain
- Curated by Adam Lowe
1997
Dead Fit Beauty, Hunter College Gallery of Art, New York, New York. Curated by Peter Dudek, catalogue, essay
A Natural Selection, Central Fine Arts, New York, New York.
Curated by Dominique Nahas, catalogue, essay
Bibliography
2002
- Blume, Harvey, Unifinished Work, The American Prospect, June 18
- Pollack, Barbara, Back to the Future with “BitStreams”, Art In America September 2001. pages 60-63.
- The New Yorker, May 28, pages 32-33, advertisement for Bitstreams.
- Rinder, Larry, BitSteams, catalogue essay, The Whitney Museum of American Art, March 22-June10.
- Cunningham, Bill, Evening Hours, The New York Times, Sunday March 25.
- Jana, Reena, STREETCRED/BOOK, Wired, September. Page 164
1999
- Unger, Miles, Taking Over the Joystick of Natural Selection, New York Times, April 25
- The Next Thing: Rees’ Pieces, Time Digital, Digital Arts and Media section, April 12,
- Computer Sculpture, Popular Mechanics, January
- Weiland, Scott, Digital Drama, NYArts, February
- Review, Cover Magazine, February
- Mind Into Matter Art New England, April-May
1998
- Thorson, Alice, Michael Rees At Grand Arts, Art In America, October 1998
- Tyrka, Katherine, Sculpting New Forms, Computer Graphics World, December
- Johnson, Ken, Review Michael Rees, The New York Times, December 18, 1998
- Kushner, David, Hands Free Sculpting, Wired News, Online http://www.wired.com/news/news/culture/story/16244.html?wnpg=1
- Murphy, Jay, ProtoPsyches, World Art, Fall
- Nahas, Dominique, Michael Rees, New Art Examiner, April 1998
- Fifield, George, Printing in 3D: Digital Sculpture, Sculpture, May/June 1998
- Nahas, Dominique, Above & Beyond Surreal, Review, January 15.
- Colman, David, Art and Architecture, Elle Decor, December/January.
- Jones, Bill, I think therefore it is: Interview Michael Rees, Artbyte, March 1998
- Nahas, Dominique, Michael Rees, The New Art Examiner, April 1998
- Lawson, Jonathon, Art Versus Technology, Prototyping
- Technology International, January/March
1997
- Thorson, Alice, They’re Alive, The Kansas City Star, Sunday Dec 14.
- New Art, Edited by Roxana Marcoci, Diana Murphy, and Eve Sinaiko, Henry Abrams, Inc.
- Landi, Ann, Material Developments, Art News November.
- Cotter, Holland, Art In Review: Dead Fit Beauty, The New York Times Friday, Feb 28.
- Nahas, Dominique, Review; Dead Fit Beauty, Review, February.
- Jones, Bill, Prospectus for Hands on Paper, Hands On Paper, fall.
- Moritz-Smith, Geoff, Digital Art of Michael Rees, Rapid Prototyping Report, February
1996
- Lord, Roberta, The Architecture of Dreams, New Times, KC, MO, June 96.
- Hart, Jane, A Vital Matrix, catalogue Domestic Settings, Los Angeles, CA.
1995
- Print Collectors Newsletter
- Kertess, Klaus, 1995 Biennial Exhibition, Catalogue of the Whitney Biennial.
1994
- Salz, Jerry, Michael Rees at Basilico Fine Arts, Art in America, March.
1993
- Weil, Benjamin, Displace, Cohen Gallery, Art In America, New York, NY.
1991
- Smith, Roberta, Michael Rees, The New York Times, Friday, June 21.
- Denson, G Roger, Spotlight Michael Rees, Flash Art, October/November.
- Ritchie, Matthew, Review Michael Rees, Flash Art, January.
- Dechter, Joshua, Michael Rees, Arts Magazine, October 1991.
- Meyers, Terry R, Michael Rees, Tema Celeste, autumn, 1991.
- Chico, Beth, Four Site at Spaces, Dialogue, November/December, 1991.
- Sparks Amy, Four Site At Spaces, The Cleveland Edition, October 3-9.
- Litt, Steven, Art Watch, The Plain Dealer, Sunday, September 15.
1988
- Schindler, Richard, Madison Gallery: Michael Rees, Greg Spiggle, Sef Peters, Art New England, October.
- Kirby, Sam, Material World, New Haven Advocate, October 24 1988.
- 1983 Kare, Antero, Rodeo ja Video miten Kansas City, T’jaide 1983.
Public Collections
- The Whitney Museum of American Art, New York, New York.
- Edelman Foundation, Lauzanne, Switzerland
- The Science Museum, London, England
Lectures and Papers
2002
- Keynote paper for Teaching Sculpture, Columbia University, December.
- “The Sculptural User Interface and other beautiful Fictions”, The Wexner Center, Columbus Ohio.
- “Digital Practice” at the Philadelphia Sculptor’s Guild
- “Upgrade”, hosted by the Eyebeam Aetelier, curated by Yael Kanarek
- http://www.treasurecrumbs.com/theupgrade/02_7rees.html
2001
- Art Science Collaborations Incorporated, New York, Ny.
- Chicago Art Institute, Chicago, Il.
- University for the Arts, Philadelphia, Pa.
- School of Visual Arts, New York, Ny.
- Intersculpt, Digital Sculpture, New York, Ny.
- Intersculpt, Technology and Art, New York, Ny.
- International Sculpture Conference, Philadelphia, Pa.
Prior to 2001 (selected)
- Cranbrook Academy, Detroit, Mi.
- University of New York at Buffalo, Ny.
- The French Senate, Paris, France.
- International Sculpture Conference, Chicago, Il
- The Society for Manufacturing Engineers, Detroit, Mi.
- Cal Arts, Valencia, Ca.
Awards and Grants
2002
1999
- National Endowment for the Arts for the exhibition Artificial Sculpture
1992
- Research and Development Grant, Oberlin College, Oberlin, Ohio.
1991
- Research and Development Grant, Oberlin College, Oberlin, Ohio
1989
- Schickle Collingswood Award, Yale University, New Haven, Connecticut
1983/4
- Deutscher Akademischer Austauschdienst (DAAD), Dusseldorf, Germany
Publications
- Rees, Michael, Chair of the Online conference “Rapid Prototyping and Art” and co-chair of the Conference “Color in Rapid Prototyping”, hosted by the MCB University Press at http://www.mcb.co.uk/services/conferen/jun98/forp/. Proceedings to be published in the Rapid Prototyping Journal.
- Rees, Michael, Rapid Prototyping and Art, conference proceedings of the Rapid Prototyping Conference hosted by the Society of Manufacturing Engineers, Dearborn, MI, May 1998.
- Rees Michael, Facets and Fingerprints: Contemplating the Computer and Sculpture, Paper given
- at The International Sculpture Conference, Chicago, Ill, May 1998.
- Rees, Michael, Yale Sculpture, Flash Art, May/June 1993.
- Rees, Michael, Rapid Prototyping: Realizing Convoluted Form and Nesting in Sculpture, Protopazione and Produzione Rapida, February 1997
- Rees, Michael, Concept Modelers, Prototyping Technology International, Summer 1997, 1.
- Rees, Michael, That’s a Print: Various uses of 3d Printing in the Film Industry,
- Prototyping Technology International, October 1997, issue 2.
- Rees, Michael, Shape Displacement Shading, Prototyping Technology International, March 1998, issue 3.
- Rees, Michael, Rage Against the Machine, Prototyping Technology International, Special edition.
- Rees, Michael, Color: Completing Rapid Prototyping as a Mature Communications Media,
- Prototyping Technology International, May 1998.
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